Once the design has been determined, I will sketch the drawing onto the Ampersand Gessobord. Sometimes the sketch is done with vine charcoal, working from large masses of shapes and slowly refined. Other times the sketch is done in pencil and generalized forms are slowly developed. A light series of cross hatched lines indicates shadows and planes of the face.
Linseed oil is introduced gradually more and more into the linseed oil painting medium. I begin painting in the large masses by establishing the major shadows, mid tone and light areas of the subject. Major value changes are adjusted and their relationship to each other is continually evaluated and adjusted. Often the background color will influence the skin tone and tonality in the clothing area. Many times the color of the background is brought into the color of the flesh, hair and clothing to help harmonize the colors. After the major forms of the face are established, I begin exploring the smaller planes of the face, taking care to observe the variation of edges and color changes within a form. (fig. 2)
Written by Mark Battista
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